Combining TRIAD ARPEGGIOS for ADVANCED USE - Crystal Clear Lesson

Learn to combine simple triad arpeggio shapes to a more sophisticated shape across the neck over two and three octaves. Learn major, minor and diminished triad arpeggios and find out how to use them in modal music like Dorian, Phrygian, Lydian and Mixolydian. Complete with tablature, lots of examples and crystal clear explanation.

**** correction ****
In the section about superimposing arpeggios over other chords, I mentioned that D over G results in a Gmaj11 chord. That's an error. It results in a G maj9 chord.
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Artwork:
(c) 2020) Rob van Hal

Used:
Ibanez JEM 7vb (www.Ibanez.com)
Ibanez SD GR Bass (www.Ibanez.com)
Takamine GD930 (www.takamine.com)
Castilla Classical Guitars

Samson Concert 99 Wireless system
Rode Microphone
Axe FX II (www.fractalaudio.com)

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(c)2020 Rob van Hal, Netherlands

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